Mark Bradford is known for his grid-like abstract paintings combining collage with paints. Bradford’s “A Truly Rich Man is One Whose Children Run into His Arms Even When His Hands Are Empty” (2008), nearly 9 feet wide and 9 feet tall, according to Maxwell Heller in The Brooklyn Rail, “calls to mind the charred and shattered windshields of cars burned in riots—black, webbed with streaks of light, sleek. If studied section by section, it offers traces of the artist’s sensual, tactile process, revealing delicate layers of found material sliced and sanded, lacquered and pasted until transformed.” View more of his work here.















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